This Drifting Poo Was Way Too Meaningful! These Are the TV Disappointments of the Year.

As we reflect on the television landscape of the recent year, a handful of series stand out not for their excellence, but for their notable failures. From awkward spin-offs to bafflingly bad docuseries, here are the programmes that left us utterly bewildered or simply reaching for the remote.

And Just Like That

Where to begin with this divisive follow-up? Plagued with dreadful writing, painful arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show struggled to justify its existence. Briefly, as the final season started, it seemed as if it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. No wonder the creator declared this would be the last season. It ended on a low point; the closeup of Miranda’s toilet full of poo was simply too on-the-nose. Still, fans undeniably had a hoot dissecting every single “what on earth?” episode. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who couldn't let out a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the smallest of this show's problems. The recipient of a very rare no-star review, it was difficult to know where to begin enumerating the flaws. The hilariously leaden writing? The tedious veneration of wealth and materialism? The almost wilful procession of tropes? Performances so poor they felt borderline spiteful? Suffice it to say “all of the above” and never speak of this show again. Except, a new season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Given the legal troubles, abuse claims and fatherly failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d truly have known it from this three-part documentary which chuckled along at Sheen’s various episodes of self-destructive excess while failing to tell us a single thing we weren't already aware of. Rather, it felt as if this volatile personality was being indulged, so any sympathy this show might induce should be saved for the people who have had to suffer proximity with this charming but flippant narcissist.

The Supercomputer Drama

Naturally we understood it was preposterous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. Talk about admitting defeat.

The Gangster Drama

Dodgy characters convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is harsh on the crime shows of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the ignominy of having to accommodate unconvincing dialects. But there were many other issues. Mainly that it was just profoundly boring; a dispute over drug-selling territory between various London picaresques which seemed a bit basic.

The Meghan Markle Series

Given the extent to which she grinds the gears of certain performatively enraged commentators, it’s almost easy to applaud the Duchess of Sussex’s televised forays into quaint lifestyle as deliberate provocations. But then you view them and are compelled to concede that in this case, they may have a point. It’s like watching a homeware catalogue animated; a poster for wine o’clock with ideas of grandeur; a parade of snoozing dogs, humming beehives, Hallmark platitudes and pointless crafting “tips” you’ll forget instantly. All underpinned by immense, largely unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about regarding Victoria Beckham and her journey with vocation, self-image, self-worth. But for whatever reason, this documentary series opted not to explore them. Instead, the viewing was akin to reading a marketing catalogue. She obviously has every right to resent what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any favours with this guarded letdown of a series.

The Game Show

It had the potential to be the next big hit – except even more extravagant, with a famous star playing dead and a sharp-tongued personality overseeing her estate. What more could you want? As players competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s even now too complicated to detail what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The show ended up smelling of a programme that was straining desperately to live up to something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The pressure was immense for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, reveling in Jane Austen levels of romantic ideals. But it was all very glossy and, ironically, was insufficient. Plus, the sheer amount of famous cameos involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the smart recruitment of talented younger comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a single joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply provoked the thought that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Instead, the series laboured awkwardly to find the right tone, lurching from oddly jaunty, somewhat stylised farce to ultimately, real-life horror. Twisted? Arguably. A complete mess? Very much so.

Prime Target

We love the star … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the brink of a discovery that could ruin society? No! This globe-trotting thriller about secret services spying on – and eliminating – academics frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator notorious for sexual escapades as she undertook her biggest challenge yet. What on earth would possess her? What we wanted was far greater examination of her true psyche, plus those of the men in the queue. They could at least have spoken to the now-famous mum who showed up to haul her son away from the queue. What we got was horrific imagery and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

Scott Romero
Scott Romero

A tech enthusiast and web hosting expert with over a decade of experience helping businesses optimize their online presence in Canada.